The young Gareth Pugh was born in 1981 in Sunderland, England. He is the infant terrible of British fashion scene, following the steps of a long tradition of fashion as theatrical drama back to Alexander McQueen, John Galliano and Vivienne Westwood. He started his career as early as 14, working as a costume designer for the English National Youth Theatre and later graduated in 2003 from London design school Central Saint Martin. He has been showing his collections in fashion week since 2006.
Pugh's collections are autobiographical, he draws inspiration from Britain's extreme club scene. Pugh's trademark is his experimentation with form and volume. He often distorts the human body almost beyond recognition by using elements like balloons, PVC inflated into voluminous coats, black and white patchwork squares, Perspex discs linked like chain mail, and shiny latex masks and leggings. He has used materials including mink, parachute silk, foam footballs, afro-weave synthetic hair, and electrically charged plastic in his clothing. Pugh describes his designs as being "about the struggle between lightness and darkness."
This Fall09, Pugh presented his colletion not with a runway show but actually with a video show as unique as his clothes.
To get to know him better, listen to his own words in this interview at youtube.comYou may watch the entire Pugh's Fall09 collection at style.com He also has menswear, watch the collection at youtube.com
"Clean type is godly type." - meet punctilious MAXKERNING, Extensis' new virtual pitchman. The latest humorous graphic design targeted social media campaign. Hello MAX, tidy up Type! Listen to him for a while and have fun if you understand the inside jokes, a little help: kerning = letter spacing. Visit www.maxkerning.com
Poor distressed MAX says "When I look around, I see too much disorder in the world—needless chaos and messes. I sense panic and stress. In fact, I feel it myself. It rattles my soul and gives me an ache in the head and a sourness of the stomach. Because everywhere I am assaulted by sloppy text that is displeasing to the eye. This must be stopped..." Max's manifesto, "Letters to Live By" can be downloaded as a pdf in the "Manifesto" section of his site.
Only two things MAX I need to criticize...
Well, first I could lend you my dyson, that is a more proper "designer" vacuum cleaner... www.dyson.com and last but not least...we, graphic designers, mostly use Macs and you forgot to mention the compatibility. Ok, we let this one go for this time. Visit the product website at http://www.extensis.com/en/products/suitcasefusion2/index.jsp
Zaha Hadid, (Arabic: زها حديد), was born in 1950 in Baghdad, Iraq. A notable British Iraqi deconstructivist architect that after graduating from Architectural Association School of Architecture in London, worked with her former teachers, Rem Koolhaas and Elia Zenghelis at the Office for Metropolitan Architecture, becoming a partner in 1977. It was with Koolhaas that she met the engineer Peter Rice who gave her support and encouragement early on, at a time when her work seemed difficult to build. In 1980 she established her own London-based practice, Zaha Hadid Architects. http://www.zaha-hadid.com In 2004 Hadid became the first female recipient of the Pritzker Architecture Prize, architecture's equivalent of the Nobel Prize.
Trying to understand her style is a challenge, so let's just listen to her words "In another way, I can be my own worst enemy. As a woman, I'm expected to want everything to be nice, and to be nice myself. A very English thing. I don't design nice buildings - I don't like them. I like architecture to have some raw, vital, earthy quality. You don't need to make concrete perfectly smooth or paint it or polish it. If you consider changes in the play of light on a building before it's built, you can vary the colour and feel of concrete by daylight alone. Some winters ago, I flew from New York to Chicago in the snow; at sunset, the landscape and cityscapes became no colours other than starkly contrasted black and white, while the rivers and lakes were blood red. Amazing. You wouldn't call that a nice landscape, but it had the quality of light and life I would love to get into our buildings."
"I'm trying to discover - invent, I suppose - an architecture, and forms of urban planning, that do something of the same thing in a contemporary way. I started out trying to create buildings that would sparkle like isolated jewels; now I want them to connect, to form a new kind of landscape, to flow together with contemporary cities and the lives of their peoples."
For an architect," she says, "everything connects. The design of a handbag, or furniture or cutlery [Hadid has recently produced designs for three] have their challenges, and they're fun to do. I'd love to get some designs into mass, low-cost production. I want to be able to touch everyone, not just the educated and cultural elite, with a little of what we can do. One of the things I feel confident in saying we can do is bring some excitement, and challenges, to people's lives. We want them to be able to embrace the unexpected." She recently collaborated with Lacoste by designing exclusive futuristic boots that will be for sale this year.
She also designed vanguardist structural boots for Melissa's shoes, watch the video at: http://www.youtube.com/watch?v=hs2Xnpw-L1o and watch the video of the making of the scaled model bellow. Personally, I would have designed them with a higher heel and all the way to the knee, more sexy and feminine.
Learn about more incredible plastic design shoes of the Brazilian brand Melissa by Zaha Haddid.
Order your copy, Taschen published this September a great compilation book: HADID Complete Works 1979 - 2009.
Walk through her projects, feel the space and understand her unique vision.
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